Well well well, so many potential ways to introduce these boys and their artistic evenings...
'Whatever the weather, It's time for Pat and Trevor'
'Music and art forever with a night of Pat and Trevor'
'It doesn't get better...'
'Pat, Trevor and Me. What a happy memory.'
ooh that's a cheesy one.
O.k so all cheese but I just had to illustrate how easy it is to introduce these P & T nights with kind words.. And who doesn't enjoy a good headline-rhyme-around anyway..
So what happened at this month's P & T entertainment extraordinare? I will admit now a week has passed since this French flavored event so this blog is one running on memory and impressions... My lack of words is in no way a reflection of a poor evening, more a reflection of a pretty horrendous week for your dutiful resident blogger. No more detail needed, but I will say the road to a career in photojournalism; life; death and men are all things that do not come without hiccups, any one of which can be enough to feed a serious stress disorder..But enough of my moaning. Back to Pat and Trevor and please do as I am and imagine the computer screen merging into a big pyschadelic wave breezing left and right; move your head from side to side, shut your eyes...and Ping! Now you have opened them again I am walking you around last Saturday's night at the ICA. Hmm What can we see? A rather wonderful mixture of music, art, musicians, artists, interesting people,
I see the usual art installation happiness providing a feast for my photographic eyes.. Piano keyboards leaning against walls,
What else is there to catch your eye? Colored light boxes reflect over pieces of cerment with lenses and tiny plasticine figures placed on top;
paintings lie sideways next to empty flower pots;
looking like something completely depending on the angle
..It'ss all going on. There is much play with perspective and one can't escape the fascination with how things look against how things actually are. This is unsurprising of course seeing as the boys have just finished their animation and interactive design degrees from LCC. Their lecturers will, if anything at all like my Theatre practitioners, have harped on, in a good way, about all the deconstructive theories and the importance of removing or at least questioning metaphysical or ethnocentric assumptions in what we read, hear and see.
This was also illustrated in a little piece de la resistance from Jimmy.. One of his final year animations. It projected out to the audience as they filed into the theatre for Au Revoir Simone. This was a brilliantly executed piece of film edited out of hand sketched material. Jimmy's 3 minute short was far removed from the usual 3D 'T4 esque' schmoozy programmes that saturate the TV/film scene at the moment; what a pleasant change. I didn't catch this film on my camera but what I did catch was a picture of David Lynch projected up on the walls from earlier in the evening.
Anyway, I wonder, I wander. Ultimately, excellent art installations as usual and the combination of sounds and visuals did not disappoint..
So what was the line up?
First up was Plaster of Paris, with singer Molly and her faithful accompanist Lewis.
This was a simple guitar and vocals double act, 'opera meets folk with a kazoomaphone'. I was impressed with Molly's energy and her ability to engage the audience with her punchy lyrics and animated performance style. This was live performance at its most raw with the audience positioned at the same level and mere inches away from Molly. You really need some chutzpa to be able to do that kind of act, but there were no worries on that front, this girl definately has that. I was loving the red frock and shoes, and five stars for the unusual and brilliant instrument.
The camera couldn't fail to capture her animated expressions and energetic flair.
Check out the myspace, http://www.myspace.com/weareplasterofparis
The Brooklyn trio played from a boxing ring style stage in the middle of the theatre's floor, a modern twist on the usual 'fourth wall' idea we are accustomed to.
and perhaps there wasn't enough reason behind the staging other than to change things around. However, everyone needs to try out new performance arrangements once in a while, if only to remind us why sometimes a typical staging for bands just makes more sense... I say bravo for inventiveness and the crowds enjoyed the suspense as they shuffled into the space. As for Au Revoir Simone, they all looked very smiley,
And as if that wasn't enough, when you were not listening to one of the wonderful live acts on offer, you were played a wonderfully eclectic set of records from Alex
and Seb of Tapedeck. I don't know too much about them but check out their myspace http://www.myspace.com/tapedeckdjs for all the details. I do know this is a wicked picture though.
That's it. I think I covered most corners, but you never know with this lot; I might have missed a secret passage, or a weird and wonderful hidden something or other.. It's the element of surprise at the Pat and Trevor nights that should really get you down there.
For more pics visit www.speyerdesign. Look, I made myself a groovy logo..
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Au revoir x